Fall 2016
1. A Hertzmann, CE Jacobs, N Oliver, B Curless. Image analogies, ACM Proceedings of the 28th annual conference on Computer graphics and interactive techniques, 2001
2. P Perez, M Gangnet, A Blake. Poisson image editing, ACM Transactions on Graphics (TOG), 2003
3. S Bae, S Paris, F Durand Two-scale Tone Management for Photographic Look, ACM Transactions on Graphics (TOG), 2006.
4. S Bakhshi, DA Shamma, L Kennedy, E Gilbert . Why we filter our photos and how it impacts engagement, Ninth International AAAI Conference on Web and Social Media, 2015
5. AA Gooch, SC Olsen, J Tumblin, B Gooch. Color2gray: salience-preserving color removal, ACM Transactions on Graphics (TOG), 2005.
6. A Orzan, A Bousseau, P Barla, J Thollot. Structure-preserving manipulation of photographs, Proceedings of the 5th international symposium on Non-photorealistic animation and rendering, 2007.
7. P Bhat, CL Zitnick, M Cohen, B Curless. Gradientshop: A gradient-domain optimization framework for image and video filtering, ACM Transactions on Graphics (TOG), 2009.
8. H Fang, JC Hart. Detail preserving shape deformation in image editing, ACM Transactions on Graphics (TOG), 2007.
9. H Winnemoller, SC Olsen, B Gooch. Real-time video abstraction, ACM Transactions On Graphics (TOG), 2006.
10. Amir Semmo, Matthias Trapp, Tobias Dürschmid, Jürgen Döllner, Sebastian Pasewaldt. Interactive multi-scale oil paint filtering on mobile devices, ACM Transactions On Graphics (TOG), 2006.
11. Jan Eric Kyprianidis. Artistic Stylization by Nonlinear Filtering, Image and Video-Based Artistic Stylisation, 2013.
12. Iddo Drori, Daniel Cohen-Or, Hezy Yeshurun. Example-Based Style Synthesis, Computer Vision and Pattern Recognition, 2003.
13. Mingtian Zhao, Song-Chun Zhu. Artistic Rendering of Portraits, Image and Video-Based Artistic Stylisation, 2013.
14. Paul L Rosin, Yu-Kun Lai. Non-photorealistic rendering of portraits, Proceedings of the workshop on Computational Aesthetics, 2015.
15. Giuseppe Papari, Nicolai Petkov, Patrizio Campisi. Artistic edge and corner enhancing smoothing, IEEE Transactions on Image Processing, 2007.
Each project group comprises of maximum 2 students. Students who are not included a project group will be randomly assigned.
Each project group should submit a half page project proposal on their image editing tool by December 5. The proposal should provide:
Each student should submit a project progress report by December 19. The report should be minimum 2 pages and should describe the following points as clearly as possible:
Each student is expected to submit a project report prepared using the style files provided in the course web page. The report should be maximum 6 pages and should be structured as a research paper. It will be graded based on clarity of presentation and technical content. A typical organization of a report might follow:
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